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Writing Exercises Inspired by James Joyce: Part 1

The Places We Live

James Joyce begins several stories in the collection, Dubliners, begins with a description of a house.

The opening story, The Sisters, starts with:

There was no hope for him this time: it was the third stroke. Night after night I had passed the house (it was vacation time) and studied the lighted square of window: and night after night I had found it lighted in the same way, faintly and evenly. If he was dead, I thought, I would see the reflection of candles on the darkened blind for I knew that two candles must be set at the head of a corpse. He had often said to me: "I am not long for this world," and I had thought his words idle. Now I knew they were true. Every night as I gazed up at the window I said softly to myself the word paralysis. It had always sounded strangely in my ears, like the word gnomon in the Euclid and the word simony in the Catechism. But now it sounded to me like the name of some maleficent and sinful being. It filled me with fear, and yet I longed to be nearer to it and to look upon its deadly work.

 

Araby begins:

North Richmond Street, being blind, was a quiet street except at the hour when the Christian Brothers' School set the boys free. An uninhabited house of two storeys stood at the blind end, detached from its neighbours in a square ground. The other houses of the street, conscious of decent lives within them, gazed at one another with brown imperturbable faces.

The former tenant of our house, a priest, had died in the back drawing-room. Air, musty from having been long enclosed, hung in all the rooms, and the waste room behind the kitchen was littered with old useless papers. Among these I found a few paper-covered books, the pages of which were curled and damp: The Abbot, by Walter Scott, The Devout Communicant, and The Memoirs of Vidocq. I liked the last best because its leaves were yellow. The wild garden behind the house contained a central apple-tree and a few straggling bushes, under one of which I found the late tenant's rusty bicycle-pump. He had been a very charitable priest; in his will he had left all his money to institutions and the furniture of his house to his sister.

 

For this exercise, imagine a house, either one you know or something you imagine or one you encounter on your trip.  Describe this house as much or as little as you want to begin the story.  Use the description to set the tone and theme.  Imagine this house as a doorway to another place, the world of your story.  

 

 

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Art in Writing

This exercise asks you to take inspiration from the world of art. Find a piece you like: visit a website, actually go to a museum, look around your house. Then do one of two things: write the story of that piece of art beginning with a description of it, or imagine the character from your novel engaged with that piece of art in some way.

Is it hanging in their home?  

Did they see it on a date?  

Did they receive it as a postcard?

How do they describe it?  

What do they see?  

What do they see that reflects their own inner conflict at this moment in the story? 

Where does the story go when the image stops? 

Write until you have finished the scene.

You can share the results of your exercise in the comments below!  Happy Writing!!!

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